→ Selected writings and reviews
Planes, Trains and Car Bombs: Departures from the Adjectival Orient [pdf]
Tammer El-Sheikh
Esse, Issue 111 Tourism (May 2024)
A Distortion of a Distortion: Nour Bishouty
In conversation with Daniella Sanader
Asian Diasporic Visual Cultures and the Americas: ADVA (2024)
Unsettled and softened: A Conversation with Nour Bishouty
Interviewed by Jacquelyn Zong-Li Ross
The Capilano Review (Summer 2023)
Nour Bishouty’s 1—130: Selected Works Ghassan Bishouty b. 1941 Safad, Palestine — d. 2004 Amman, Jordan
Daniella Sanader
The Brooklyn Rail (Sep 2021)
A Gathering Place for Objects that Have No Place
Interviewed by Kareem Estefan
The Journal of Visual Culture: The Palestine Portfolio (2021)
Observing the Changing Same: MOCA Toronto’s GTA21 Triennial
Karie Liao
Vie des Arts (Nov 2021)
An Index of the Unseen
Maia Asshaq
Tank Magazine (Feb 2022)
Nour Bishouty in conversation with November Paynter GTA21: Toronto's Most Exiting Contemporary Artists, p.124-129, Museum of Contemporary Art Toronto, Canada (2021)
1—130 Nour Bishouty
Reyhan Yazdani
C-Magazine (Sep 2021)
Twenty Three Days at Sea
Jaclyn Bruneau
Canadian Art (2016)
Exposing what it means to build
India Stoughton
The Daily Star Lebanon (Jan 2015)
→ Publications
Catalogue Manif d’art 11, the Quebec City Biennial
Published by Manif d'art
Quebec, 2024
GTA 21 Triennial Catalogue
Published by the Museum of Contemporary Art Toronto
Toronto, 2021
Twenty-three Days at Sea
Published by Access Gallery
Vancouver, 2015
→ Exhibition Texts
Instructions for Hands or How to Speak with Shadows, for Nour Bishouty’s Rock Paper Scissors at Cooper Cole, Toronto.
Danica Pinteric (Mar 2025)
Intergenerational Dialogue and Late Style in the Palestinian Diaspora: Nour Bishouty’s Nothing is lost except nothing at all except what is not had
Tammer El-Sheikh (Mar 2022)
What constitutes an acceptable landscape [pdf]
Lillian O’Brien Davis and Toleen Touq (Feb 2022)